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Work About Stills

Director of Photography

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Daniel Routh - Director of Photography

daniel@danielrouth.com

720.308.3796

Dallas/Ft. Worth, Texas

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720-308-3796 dmrouth@gmail.com

🎥 “Westworld to Yuma” (2017)
Dir: @ryan_connolly
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📝Last one from this short film so I thought I’d share the other ECU we did just because they’re fun. The lighting setup for this was the same as Josh’s MCU except we

🎥 “Westworld to Yuma” (2017)
Dir: @ryan_connolly
.
.
📝 Going into this short one of my big concerns was maintaining lighting continuity. Because of the way our western set was oriented it meant that the sun’s path would make main

🎥 “Westworld to Yuma” (2017)
Dir: @ryan_connolly
.
.
📝 A wider angle from the previous post. We moved the camera to be a little bit more of a 3/4 shot and kept positioned @jrobproductions so he’d be backlit by the sun. Then we bac

🎥 “Westworld to Yuma” (2017)
Dir: @ryan_connolly
.
.
📝 Here’s another example of the Daytime EXT lighting technique I mentioned in my previous post about ‘wrapping’ the sun to create a more natural shape instead of usi

🎥 “Westworld to Yuma” (2017)
Dir: @ryan_connolly
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.
📝 I’ve never really been a fan of using lights for Daytime EXT’s as it takes a lot of power to compete with the sun and I think it often looks unnatural. Instead, I prefer

🎥 “Westworld to Yuma” (2017)
Dir: @ryanconnolly
.
📝 At the risk of sounding pretentious, I want to share a quote from one of my favorite composers, Arvo Pärt, regarding music because I think it applies to film as well.
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“I i

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